Thursday, December 19, 2002

MOVIE CLUB: THE TWO TOWERS
From: Eric Baker
To: Adam Kempenaar, Sam Hallgren, and the multitude of readers
Subject: The Ring: My Precious

I hate it when Adam is right, but at least it will take him a while to chime in if he doesn't plan on seeing the new LOTR for awhile. I'll be stealing my thunder for my Friday review of 'The Two Towers,' but I have a lot to say about this flick. I think I'm more disappointed because I liked Part I last year so much, and I thought the possibilities were endless with where Peter Jackson could take this film (within the context of the script, of course). Instead what I got was 'Army of Darkness' without the humor, 'Braveheart' without the superior battle choreography, 'Rocky' without the deep emotional underpinning of a tough Italian kid just trying to . . . cough, ahem. Sorry about that. But we know what Jackson is trying to do here, beyond the prerequisite 'entertain the audience.' He was handed the keys to the castle on this, an opportunity to do 3 movies at once, but a situation where if he made the first one excellent, people would buy tickets to the next two just to see what else he could accomplish. He was given a modern-day 'Star Wars,' and while it's certainly better than the last two installments of that dead horse franchise, it's not great, which was what I was expecting. As viewers will see, there are some similarities to 'The Empire Strikes Back,' but Jackson didn't have the stones to veer from a happy ending. There's no sense of dramatic conflict throughout the film, especially with Frodo Baggins. And I'm anxious to read and hear what people have to say about all the face time Gollum got in this installment, specifically if people think he's the next Jar Jar Binks (I didn't mind him too much). After watching the Bravo presentation of 'Page to Screen' on 'The Fellowship of the Ring,' I remember the three screenwriters emphasizing certain themes in the film so as not to get too caught up in unnecessary plot machinations. I guess I can't say there's a ton of clunky storylines in this one, but the pacing sure seems off. This installment is the same length as the first one --roughly three hours -- but you sure do notice it this time around. I thought the first LOTR was wise to give as much screen time and story development to Ian McKellan's (Gandalf the Grey) and Ian Holm's (Bilbo Baggins) characters as possible, but here everything is a constant trudge to a battle with a pre-ordained outcome that even top-notch special effects can't enliven. Don't get me wrong, the special effects are the best part of the movie, so good in some places that I literally couldn't tell if they were real or computer-generated, which is something in this day and age. A perfect example of what I wish Jackson would have done more of is the subplot with Pippin and Merry and the Tree People. My favorite part of the movie that gets short shrift in the editing room: it's an appropriate use of special effects within the context of the story. I realize the entire film can't be similar to that, but the magic of Tolkien is each escapade is described with such detail you could create a whole movie just on that event. Adam frets below that "is it going to surprise me at all? Is it really any different than seeing a James Bond movie to some extent, except with better acting, etc." Well, if it met the criteria in the laundry list, then yes, it would be quite different from Bond. But I think it's fair to say Adam won't be surprised, and he hasn't even read the books.

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