Friday, August 16, 2002

REVIEW: AUSTIN POWERS IN GOLDMEMBER - I realize any comments about Goldmember are probably irrelevant since it was released three weeks ago [When would my comments actually be relevant? Good question], but I promised a reaction so here goes. I was surprisingly entertained by this third installment in the spy-spoof series. I say surprisingly because I wasn't expecting much after The Spy Who Shagged Me, which I thought was almost completely incoherent and lacking in humor. It didn't help that Heather Graham, an actress who I usually like from movies such as Drugstore Cowboy, Boogie Nights and a small part in Twin Peaks, had such terrible comic timing as Austin's love interest/co-spy Felicity Shagwell that she made Liz Hurley in the original look like Katharine Hepburn. It may be the most obviously phoned-in performance since Michael Caine graced the screen in 1987's Jaws: The Revenge (more on Caine in a moment). Either that or Graham was simply trying to prove the old adage that comedy is harder to play than drama. Taking over for Graham in Goldmember is the "bootylicious" pop singer Beyonce Knowles. She plays a spy named Foxxy Cleopatra -- an amalgam of Foxy Brown and Cleopatra Jones from the 70s blaxploitation flicks -- who teams up with Austin when Dr. Evil kidnaps his famous spy father (Caine) and takes him back to 1975. Knowles shows some genuine talent in front of the camera, despite having very little to do. She's not a co-star so much as a model whose job it is to look sexy in skimpy outfits, which I suppose makes Goldmember the most accurate James Bond imitation in the series. Myers' smartest casting choice, though, was undoubtedly the addition of Caine as the charming Nigel Powers. When three of Dr. Evil's henchman attack him, Nigel quickly disposes the first two with his fists, then gets the third to surrender simply by insulting him -- "Look at you, you don't even have a name tag." What easily could have been a throwaway scene was probably my favorite joke in the whole movie thanks to Caine's deadpan wit. Another perfectly delivered bit occurs when Austin comes to rescue him from the title villain, a disco fanatic from Holland whose private parts were covered in gold after a smelting accident. "There are only two things I hate; those who are intolerant of other people's cultures...and the Dutch," Nigel tells Austin. In addition to Caine's scene stealing, I got a kick out of the opening credit sequence -- well, most of it anyway -- featuring a bunch of big-name stars in cameo roles. Slate's David Edelstein loathed it: "The director, Jay Roach, can't give these showstoppers any momentum, and the fun palls quickly: Scattershot but thudding, it made me want to bolt after 15 minutes." The first five minutes were hilarious; once Britney Spears appeared on screen, however, I had the exact same reaction as Edelstein. I sat there stupefied wondering, "Does Myers really think this is funny, or is he simply content with the fact that Pepsi gave him a load of cash to include Spears in the movie?"

Ultimately, Myers isn't breaking any new ground with Goldmember -- most of the jokes are just variations on gags from the previous two movies, and for every joke that works there are two that flop around on the screen and die (When Austin meets the Asian twins "Fook Mi" and "Fook Yu," for example). And while Roger Ebert is certainly correct to suggest that "maybe the original inspiration has run its course," I laughed enough to make it worth my time.

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