"Kill Bill," in contrast, pays homage to the "grindhouse" exploitation films produced by the Shaw brothers of Hong Kong and others. Unlike the current hits, which avoid serious bloodshed, these cult films — from spaghetti Westerns like Sergio Leone's "A Fistful of Dollars" to the Shaws' kung-fu classic "The Five Deadly Venoms" — revel in the details of violence, whether by gun, sword or fist.
Anyone hoping for CS to go against conventional wisdom here and suggest that Kill Bill doesn't sound like a very good film, or that Tarantino is unoriginal and crude, let me apologize now. Like most critics and assorted movie geeks, I'm a huge fan of all three of his previous films -- Reservoir Dogs, Pulp Fiction, and Jackie Brown, all recently released (finally!) in special edition DVD sets -- and if anyone can make me enjoy watching a movie "rife with severed limbs and flying gore," it's Tarantino. The film is scheduled to premiere at Cannes in May, with a release date slated for Oct. 10, 2003. All the latest Tarantino hype/info can be found over at Ain't It Cool News. Harry Knowles is actually on the set of Kill Bill in China and is sending back daily diary entries. I'd recommend them except I'm still trying to wade through his comments. Is there anyone more in need of an editor than this guy? The entries are called "set reports," but all I gleaned from the first one was how sexy his Chinese waitress was and how Beijing is a lot like Austin. And here I thought one of the most fascinating filmmakers in recent cinema history was shooting his first project in six years.
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